Very loyal client Nathan came in with his long hair freshly shaved for this peony head tattoo. And also sat like a rock throughout the whole painful process.
Another geometric tattoo all finished up, by Chris Jones. This photo is obviously just a small part of a much lager tattoo that wraps all around the clients leg. Check back soon to see the rest of the photos. If you can't wait, pop over to Chris' instagram page.
Chris Jones is at it again with another perfectly drawn, perfectly placed and perfectly tattooed peony flower, tattooed in his signature dotwork style.
Native Australian flowers, just like many other flowers, can be adapted to suit many different styles of tattooing. Chris Jones has created a beautiful design with this Banksia flower and Wattle blossoms.
They say it takes 10,000 hours to master any skill. We are starting to think that Chris Jones may be close now, to being a peony tattoo master. And the peonies just keep getting better and better, as you can tell by this upper arm tattoo.
Chris Jones recently completed this full sleeve of geometric patterns and mandalas. It took quite a few sittings for this one, but the outcome shows a lot of depth which you usually don't see in geometric tattoos.
A mandala as you can see here, works as a perfect cap for a shoulder. This one, applied perfectly applied by Chris Jones.
Perfect combination and balance of a dotwork mandala and dotwork peonies. A combination that has been perfected by Chris Jones.
Do you have that one small gap in between several other tattoos, that always seems a little out of place, just get a gap filler tattoo. A mandala by Chris Jones, works perfectly.
This is not your normal flower shaped mandala that chris jones is renowned for, but it doesn't mean that it is beyond his skill level.
The exposed half mandala tattoo by Chris Jones is one to be treasured as he has the ability to design and apply them exceptionally well.
This is a very familiar pose of Chris Jones, Busily working away. Probably the hardest working tattooist in Melbourne.